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Message to My Ex by Josh Tenor

The 19-year-old student and singer-song writer from London describes his sound being influenced by the likes of J-Dillah, Bruno Mars and Tom Misch, which we can clearly note in the production and sound of his new track, ‘Message to My Ex’. 

As on his previous tracks, Josh experiments with soulful jazz and heart-wrenching lyricism. Starting the track with Josie Geller’s monologue from ‘Never Been Kissed’ was a beautiful touch that set the tone for the rest of the song, and truly encapsulates the euphoria of being in love and being afraid of getting hurt all at the same time. 

The melodies of the piano and saxophone complement Josh’s deep, earthy timbre, and there is a lot of room for experimenting with other genres with vocals like this.

” Are you really better without me? Can’t you see that we had something special”

Josh croons, lyrics that would be relatable to most listeners who have gone through the motions of having your heart broken.

“I don’t know what to do, I am tired of those endless nights just crying over you” 

Although the lyrics aren’t necessarily something that hasn’t been done before, you can hear the raw emotion through Josh’s voice while telling his story, and that it is something he has truly experienced, which is always a good touch when attempting to relate to your listeners.

Overall, this is a great track that showcases the strength of Josh’s vocals and smooth production, and it is refreshing to hear young people to try experiment with genres other than pop and grime. What would have made the track even better is delving deeper into details with the lyrics, which would paint a picture that is more intricate and personable. In spite of the madness that is coronavirus, I see 2020 as being a fantastic year for Josh in terms of his music career, and I look forward to listening to new tracks soon.

You can now listen to ‘Message To My Ex’ by Josh Tenor on Spotify

Written, performed, produced, vocally arranged, mixed and mastered by Josh Tenor

Backing vocals provided by Sara Vieira and Emmanuel Mugabo

Tenor saxophone provided by Ruben Ross

Featured

Mango by Kwa & Za

Hailing from Columbus Ohio, the 20 year old duo have released their new single ‘Mango’ which has a distinctive island vibe tune with sultry vocals and I can easily envision this being played on any afrobeats night out with a coke and rum in hand.

Starting off with a simple, yet captivating dance hall beat, Za comes in with some strong vocals reminiscent of French Montana and squeaky clean production to match. The beat remains the same throughout the song without becoming mundane, and Kwa and Za’s tones compliment each other beautifully in this feel good track.

I got what you want

I got the whole world

I’ve got your gold

Za sings in the chorus which both opens the song and surfaces later on through the track, complimented by soft backing vocals by Kwa.

the lyrics are simple yet to the point, as any great dance hall track should be. The purpose of this genre is to get people up and dancing, not sitting down and ruminating over the deep purpose of the lyrics.

Been had energy

When I pull up they go crazy

look too hard you would think I’m HD

I own everything across the sea

I got the juice

Martini

Again, not Tupac level lyricism here but the words flow well along with the catchy tune, will I remember I got the juice, Martini after one time of listening? Chances are that I will, which means they’ve done a good job of catchy one liners that people will sing along to while dancing.

As these two have been making music together for around a year now and being so young I am looking forward to see what they come out with next. The island- vibe-dance-hall beat compliments their vocals, but it would be interesting to see what other genres they can experiment with to diversify their sound.

A great chorus that has been stuck in my head all day, a beat that makes you want to drop whatever you’re doing and dance, smooth production and strong vocals from both artists makes for an unforgettable track that sounds like the distant cousin of French Montana’s Unforgettable which to my mind was the best summer track of 2018.

Overall rating: 8/10

You can stream Mango on Apple Music now.

Follow Ka on instagram: thatboi_kwa

For business inquiries: officialzandkwa@gmail.com

Bullshit by GIE

This week’s up and coming artist is 19 year old GIE who comes from Stone Mountain Georgia, and has been inspired to make music a mere two weeks ago by artists such as Kota the Friend, Elton John and Mac Miller.

His new single ‘bullshit’ is light hearted in nature, starting off the track with a quiet, melodic mumbling reminiscent of Mac Miller’s ‘Best Day Ever’ era.

“No matter what I say or do

Baby girl know that I love you

Even with the bullshit that you do”

GIE croons during the chorus. The lyrics are certainly not at a Taylor Swift level of romantic lyricism , but their simplicity goes well with the ditsy backing accompaniment. You can clearly hear the influence of Mac Miller ring through the husky vocals and overall timbre.

“All this time we had together cause its super sweet

I wish I could play back on repeat

Every hour every second every fucking day

All the other h*es just get in the way”

Breaks into a brief rap after the chorus, which again, did not have the most original lyricism, but was quite listenable and pleasant on the ears. I would’ve recommended exploring the rap segment on this song a bit more, and contrasting the sound of the rap and the singing more to divide the song up.

Since this is one of GIE’s first tracks I see a lot of potential for him finding new inspiration for his lyrics, as well as branching out and exploring different styles and melodies. The Mac Miller influences are eminent, and if coupled with some interesting lyricism, could make for some chart topping tracks in the future.

Overall rating: 6/10

You can now listen to ‘Bullshit’ as well as other singles by GIE on soundcloud https://soundcloud.com/hunter-giella-442244198/bullshit

Follow GIE on instagram: @thr33gie

Heavy is the Head

As a great Stormzy enthusiast from the start of his career, my interest was particularly piqued when he came out with 16 tracks that were rumored to tell his story of the past few years in the most blunt, confident and personable way. Being no stranger to the hardships of the spotlight, following his highly public split with Maya Jama and seemingly eternal feud with fellow UK rapper Wiley, it is no surprise that Stormzy had plenty to write about by 2019. A perfect concoction of cockiness, vulnerability and honesty, Stormzy seems to find his truth on Heavy is the Head, and doesn’t fail to be ludicrously catchy while doing it.

The opening track ‘Big Michael’ might not be my favourite track or something that I’d listen to on its own, but it ticks all the boxes for an opening track. Starting out with some punchy fanfares and the more than slightly juvenile announcement of “said I went mainstream suck you’re mum, not top two top one”, Stormzy makes it clear that he’s back with vengeance. Not the most interesting track lyrically or musically, following through with the fanfares and a heavy base in the background, it still comes with some punchy one liners that are his signature- One week it’s “Blinded By Your Grace” Next week it’s bang you in your face. The purpose of this track was to announce his arrival back onto the grime scene, and it did so successfully.

The next track ‘Audacity’ is one of my firm favourites, with a flow as smooth as butter, crisp production and a verse by Headie one who always manages to integrate himself seamlessly onto whatever track he appears on, this is definitely going to be a chart topper.

On Rachael’s little brother Stormzy reveals his softer, more vulnerable side, discussing the highs and lows of fame, including his struggles with mental health “I bottle up and then I spill it to my therapist, it’s not a healthy way of livin’ but we livin’ still, tryna fill empty voids with 7-figure deals, Setraline and nicotine I hit it ’til it heals” which is both refreshing and inspiring for young people to hear their idols breaking the taboo of not talking about their struggles as well as their successes.

‘Do Better’ is another beautiful display of vulnerability, showing Stormzy questioning his life decisions and the path that he’s going down with some intimate one liners that take us into his worlds both past and present. “Was a troublesome yout, had desire for war, Bought my mummy a coupe, she nearly cried on the floor. A chorus with an undeniable nostalgic feel, you can’t go wrong with this brutally honest track.

‘On One Second’ Stormzy experiments with an R&B/ pop vibe featuring the queen of R&B herself, H.E.R. A catchy background piano and H.E.R’s sultry tones compliment Stormzy’s flow beautifully. Perhaps not the most inspiring lyrically, it proved to be an all round high quality pop track.

Stormzy delivers Wiley flow with confidence and more witty one liners “All my n*ggas been charged don’t AMP me, have your Mrs. in her bra and panty” over a punchy drill beat.

Final verdict: 8.5/10

A bold mix of Stormzy’s highest highs and lowest lows, pop tunes and grime beats, Stormzy showcases how his musical diversity and brutal honesty makes for a best selling album.

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